I am a biographer, and my biography of E.E. Cummings centers on his unjust imprisonment in France during the Great War in dangerously brutal conditions—cold, underfed, and subject to the sadism of the prison guards. It is hard to imagine anything more imperative than writing about injustice. But perhaps for that very reason, it is difficult to write without the consciousness of a deep inadequacy to the task. I feel therefore an enormous gratitude towards those writers, five of whom I have chosen here, whose honesty and courage in writing about injustice serves as an inspiration and a beacon.
I wrote
The Beauty of Living: E. E. Cummings in the Great War
Ishiguro’s The Buried Giant absolutely haunts me. At the heart of Ishiguro’s story lies a terrible act of cruelty and injustice, but his writing is incredibly gentle, sorrowful, and loving. It is a story about the price of memory. I don’t think that it is an argument against bearing witness, but its exploration of what we remember, what it costs us, and what good it does us is quietly and deeply shocking, and so very sad. I am always in awe of the simplicity and dignity of Ishiguro’s style and the originality of his thought.
*Kazuo Ishiguro's new novel Klara and the Sun is now available*
The Romans have long since departed, and Britain is steadily declining into ruin.
The Buried Giant begins as a couple, Axl and Beatrice, set off across a troubled land of mist and rain in the hope of finding a son they have not seen for years. They expect to face many hazards - some strange and other-worldly - but they cannot yet foresee how their journey will reveal to them dark and forgotten corners of their love for one another.
The prose of Burns’s Milkman is astonishing and written with complete conviction. From the very first sentence, Milkman locks its reader into its world, its voice, its logic, its rhythms, and I find it thrilling to read a style that is so new and so absolutely demanded by its subject matter. In Burns’s understanding of the interplay of gender and sectarian violence in Northern Ireland, there are dangers in seeing clearly or speaking forthrightly: there are questions of "...what females could say and what they could never say" (as her narrator observes). That danger resonates in the feeling that there is something almost alarming about Burns’s own deep perceptiveness – and something tremendously exciting in her unapologetic writing. In some ways a quiet book, it pulls no punches.
Liberty fabric covered editions bring classics from the Faber backlist together with important modern titles, putting them in conversation and celebrating both the history and the future of Faber & Faber.
In this unnamed city, to be interesting is dangerous. Middle sister, our protagonist, is busy attempting to keep her mother from discovering her maybe-boyfriend and to keep everyone in the dark about her encounter with Milkman. But when first brother-in-law sniffs out her struggle, and rumours start to swell, middle sister becomes 'interesting'. The last thing she ever wanted to be. To be interesting is to be noticed and…
Jay Bernard’s Surge is a collection of poems about the New Cross fire (1981) and the Grenfell fire (2017), and more broadly about Black British experience and identity. Their poetry is disciplined and musical, and the poems are deeply infused with an evident love for those whose lives were lost in the two fires. The delicacy of attention paid to individual victims brings a profound human beauty to poems about terrible things. I have a lot of respect for what it must have cost to take on that love, together with the grief and anger that it necessarily entails.
**Winner of the 2020 Sunday Times/University of Warwick Young Writer of the Year Award**
Jay Bernard's extraordinary debut is a fearless exploration of the New Cross Fire of 1981, a house fire at a birthday party in which thirteen young black people were killed.
Dubbed the 'New Cross Massacre', the fire was initially believed to be a racist attack, and the indifference with which the tragedy was met by the state triggered a new era of race relations in Britain.
Tracing a line from New Cross to the 'towers of blood' of the Grenfell fire, this urgent collection speaks with,…
Cummings and his friend William Slater Brown were imprisoned in a detention center for foreign ‘undesirables,’ and to this day we are guilty of locking people up because they are stateless or nationals of another country. Behrouz Boochani’s No Friend but the Mountains, translated by Omid Tofighian,recounts his imprisonment along with fellow refugees on Manus Island. It is a visceral and vivid account, and it speaks in an unrefusable voice. I think it is an act of true human generosity that someone who has suffered so much at our collective hands would still choose to reach out and tell his own story; simply choosing to speak is an act of great hope and belief.
The Award-winning International Bestselling Story of One Man's Six Year Detention in Australia
'A powerfully vivid account of the experiences of a refugee: desperation, brutality, suffering, and all observed with an eye that seems to see everything and told in a voice that's equal to the task.' - Phillip Pullman
In 2013, Kurdish journalist Behrouz Boochani sought asylum in Australia but was instead illegally imprisoned in the country's most notorious detention centre on Manus Island. This book is the result.
Boochani spent nearly five years typing passages of this book one text at a time from a secret mobile phone…
Wilson Harris’s Palace of the Peacock is a wildly different way of writing about injustice – mesmerising and disorienting. The language swirls around itself and there is a bewildering feeling of never knowing quite what you are reading. I felt completely taken away from myself reading it, with no idea where I was being taken but utterly absorbed in its world. Originally published in 1960, it has now been republished in a wonderful new edition from Faber Finds, which includes a foreword by Harris reflecting on his own place in early postcolonial literature and a superb afterword by Kenneth Ramchand.
The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ... 'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga 'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid 'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey 'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil 'The Guyanese William Blake . Such poetic intensity.' Angela Carter
I dreamt I awoke with one dead seeing eye and one living closed eye ...
The Beauty of Living is a slice-of-life biography of the poet E.E. Cummings. It tells the story of his childhood and his difficult relationship with his father – a socially progressive Unitarian minister whose moral rectitude contained elements of domestic tyranny. It follows Cummings through his rebellious years at Harvard, in a circle of aspiring writers and their shared world of a re-imagined Classical paganism. And it takes us through Cummings’s experiences as a volunteer ambulance driver during the Great War, including the story of his first real love – a Parisian named Marie Louise Lallemand, a sex worker during the war – and the events surrounding his unjust imprisonment and release from a French detention center.
A fast-paced literary thriller with a strong sci-fi element and loaded with existential questions. Beyond the entertainment value, this book takes a hard look at the perilous world of publishing, which is on a crash course to meet the nascent, no-holds-barred world of AI. Could these worlds co-exist, or will they destroy each other? And more importantly, how will humans tolerate their own creations, the robots, on this planet?
In this, his latest speculative fiction novel, Shane Joseph, returns to the “what if” questions facing humanity that he raised in After the Flood, a book that won him the…
With Chatbots and Large Language Models changing the world of writing and publishing dramatically, what happens when we introduce a sentient robot capable of feelings into the mix?
Phil Kruger, inventor, and serial womanizer, believes he has the answer in his creation, Victoria, the first sentient robot in the world, imbued with beauty, knowledge, and strength and on a crash course to acquire human feelings through massive infusions of data. Arrayed against him are independent trade publisher Artemius (Art) Jones and his rebellious and sexually starved daughter, Paula, an editor herself, who is determined to take her father's failing press,…
